{"id":1598,"date":"2026-10-28T12:24:28","date_gmt":"2026-10-28T11:24:28","guid":{"rendered":"https:\/\/xarxahistoria.cat\/?page_id=1598"},"modified":"2026-10-28T16:10:16","modified_gmt":"2026-10-28T15:10:16","slug":"caprichos","status":"publish","type":"page","link":"https:\/\/xarxahistoria.cat\/es\/projectes\/gravats-de-goya\/gravats\/caprichos\/","title":{"rendered":"Caprichos"},"content":{"rendered":"<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/09\/20B2711_1_11zon.webp\" alt=\"\"><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/20250517_Volaverunt-Sant-Cugat.jpg\" alt=\"\"><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/volaverunt_goya_girona.jpg\" alt=\"\"><\/p>\n<\/li>\n<\/ul>\n<ul>\n<li>\n        <a href=\"\/projectes\/volaverunt-els-gravats-de-goya-des-de-la-contemporaneitat\/\">Introducci\u00f3<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/gravats\/\">Gravats<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/intervencions-artistiques\/\">Intervencions art\u00edstiques<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/itinerancia\/\">Itiner\u00e0ncia<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/recursos-i-documentacio\/\">Recursos i documentaci\u00f3<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/credits\/\">Cr\u00e8dits<\/a>\n    <\/li>\n<\/ul>\n<h2>\n<p>Gravats<\/p>\n<p class=\"uk-padding uk-padding-remove-vertical\">&gt; Caprichos (1797-1799)<\/p>\n<\/h2>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-02-el-si-pronuncian-y-la-mano-alargan-al-primero-que-llega.jpg\" alt=\"\"><\/p>\n<div>El si pronuncian y la mano alargan al primero que llega<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-02-el-si-pronuncian-y-la-mano-alargan-al-primero-que-llega.jpg\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-26-ya-tienen-asiento.jpg\" alt=\"\"><\/p>\n<div>Ya tienen asiento<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-26-ya-tienen-asiento.jpg\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-32-por-que-fue-sensible.jpg\" alt=\"\"><\/p>\n<div>Por que fue sensible<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-32-por-que-fue-sensible.jpg\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-43-el-sueno-de-la-razon-produce-monstruos.jpg\" alt=\"\"><\/p>\n<div>El sue\u00f1o de la raz\u00f3n produce monstruos<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-43-el-sueno-de-la-razon-produce-monstruos.jpg\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-52-lo-que-puede-un-sastre.jpg\" alt=\"\"><\/p>\n<div>Lo que puede un sastre!<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-52-lo-que-puede-un-sastre.jpg\"><\/a><\/p>\n<\/li>\n<\/ul>\n<div>\n<p>El 1793, Goya pateix una greu malaltia que el deixa sord. Alguns historiadors i estudiosos defensen que aquest fet marca un punt d\u2019inflexi\u00f3 en la seva producci\u00f3. La\u00a0malaltia l\u2019aboca paradoxalment a la llibertat creativa i el porta a explorar una nova l\u00ednia tem\u00e0tica original, que enceta el 1797 amb els <span>Caprichos<\/span>.<\/p>\n<p>Al segle <span>XVIII<\/span>, la paraula \u00abcapricho\u00bb defineix les obres realitzades pels artistes per iniciativa pr\u00f2pia, sense que hi\u00a0hagi cap enc\u00e0rrec. Als <span>Caprichos<\/span>, Goya critica la societat del\u00a0moment tot presentant situacions esperp\u00e8ntiques que\u00a0tamb\u00e9 denuncien els seus companys il\u00b7lustrats.<\/p>\n<p>Tem\u00e0ticament, funciona com un conjunt costumista que\u00a0retrata la ignor\u00e0ncia i la mis\u00e8ria, la corrupci\u00f3 del\u00a0poder, els\u00a0abusos de la instituci\u00f3 eclesi\u00e0stica, la incultura, la\u00a0desigualtat i les supersticions, i que acaba derivant en un imaginari fantasi\u00f3s, entre personatges grotescos i\u00a0monstruosos, bruixes i \u00e9ssers fantasmag\u00f2rics.<\/p>\n<p>La publicaci\u00f3 de la s\u00e8rie produeix un gran esc\u00e0ndol entre la\u00a0societat madrilenya, fins al punt que l\u2019artista es veu obligat a retirar-la de la venda pocs dies despr\u00e9s d\u2019anunciar-la, tement repres\u00e0lies per part de la Inquisici\u00f3.<\/p>\n<blockquote>\n<p>\u00abQuan acaba de gravar la seva col\u00b7lecci\u00f3 d\u2019estampes capritxoses a les acaballes de segle, Goya est\u00e0 ja d\u2019esquena al\u00a0segle\u00a0<span>XVIII<\/span> i\u00a0de\u00a0cara al\u00a0<span>XIX<\/span>, de manera que els\u00a0<em>Caprichos<\/em> ofereixin una recapitulaci\u00f3 del mode de pensar i de sentir de tota una \u00e8poca determinada, \u00e9s a dir, ep\u00edleg de la Il\u00b7lustraci\u00f3, i alhora pr\u00f2leg o m\u00e9s aviat visi\u00f3 anticipada de la nova \u00e8poca que ha de venir\u00bb.<\/p>\n<p>Edith Helman, <span>Los \u201cCaprichos\u201d de Goya<\/span>, 1971<\/p>\n<\/blockquote>\n<\/div>\n<div>Coneix els altres gravats<\/div>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-desastres-39-grande-hazana-con-muertos-portada-1.jpg\" alt=\"\"><\/p>\n<h3>Desastres de la guerra<\/h3>\n<p><a href=\"\/projectes\/gravats-de-goya\/gravats\/desastres-de-la-guerra\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-proverbios-13-donde-hay-ganas-hay-mana-modo-de-volar-portada-1.jpg\" alt=\"\"><\/p>\n<h3>Proverbios<\/h3>\n<p><a href=\"\/projectes\/gravats-de-goya\/gravats\/proverbios\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-22-valor-varonil-de-la-celebre-pajuelera-en-la-de-zaragoza-portada-1.jpg\" alt=\"\"><\/p>\n<h3>Tauromaquia<\/h3>\n<p><a href=\"\/projectes\/gravats-de-goya\/gravats\/tauromaquia\/\"><\/a><\/p>\n<\/li>\n<\/ul>\n<p><!--more--><br \/>\n<!-- 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art\u00edstiques\",\"link\":\"projectes\/gravats-de-goya\/intervencions-artistiques\/\"}},{\"type\":\"subnav_item\",\"props\":{\"content\":\"Itiner\u00e0ncia\",\"link\":\"projectes\/gravats-de-goya\/itinerancia\/\"}},{\"type\":\"subnav_item\",\"props\":{\"content\":\"Recursos i documentaci\u00f3\",\"link\":\"projectes\/gravats-de-goya\/recursos-i-documentacio\/\"}},{\"type\":\"subnav_item\",\"props\":{\"content\":\"Cr\u00e8dits\",\"link\":\"projectes\/gravats-de-goya\/credits\/\"}}],\"name\":\"Subnav Goya complet\"}]}]},{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"\n\n<p>Gravats<\/p>\n\n\\n\n\n<p class=\\\"uk-padding uk-padding-remove-vertical\\\">&gt; Caprichos (1797-1799)<\/p>\n\n\",\"image_align\":\"left\",\"image_margin\":\"xsmall\",\"title_element\":\"h2\",\"title_style\":\"h3\"}}]}]},{\"type\":\"row\",\"props\":{\"layout\":\"1-2,1-2\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"overlay-slider\",\"props\":{\"attributes\":\"uk-lightbox=toggle: 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si pronuncian y la mano alargan al primero que llega\"}},{\"type\":\"overlay-slider_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-26-ya-tienen-asiento.jpg\",\"link\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-26-ya-tienen-asiento.jpg\",\"title\":\"Ya tienen asiento\"}},{\"type\":\"overlay-slider_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-32-por-que-fue-sensible.jpg\",\"link\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-32-por-que-fue-sensible.jpg\",\"title\":\"Por que fue sensible\"}},{\"type\":\"overlay-slider_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-43-el-sueno-de-la-razon-produce-monstruos.jpg\",\"link\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-43-el-sueno-de-la-razon-produce-monstruos.jpg\",\"title\":\"El sue\u00f1o de la raz\u00f3n produce monstruos\"}},{\"type\":\"overlay-slider_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-52-lo-que-puede-un-sastre.jpg\",\"link\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-52-lo-que-puede-un-sastre.jpg\",\"title\":\"Lo que puede un sastre!\"}}]}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"order_first\":\"m\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"text\",\"props\":{\"column_breakpoint\":\"m\",\"content\":\"\n\n<p>El 1793, Goya pateix una greu malaltia que el deixa sord. Alguns historiadors i estudiosos defensen que aquest fet marca un punt d\u2019inflexi\u00f3 en la seva producci\u00f3. La\u00a0malaltia l\u2019aboca paradoxalment a la llibertat creativa i el porta a explorar una nova l\u00ednia tem\u00e0tica original, que enceta el 1797 amb els <span>Caprichos<\/span>.<\/p>\n\n\\n\n\n<p>Al segle <span>XVIII<\/span>, la paraula \u00abcapricho\u00bb defineix les obres realitzades pels artistes per iniciativa pr\u00f2pia, sense que hi\u00a0hagi cap enc\u00e0rrec. Als <span>Caprichos<\/span>, Goya critica la societat del\u00a0moment tot presentant situacions esperp\u00e8ntiques que\u00a0tamb\u00e9 denuncien els seus companys il\u00b7lustrats.<\/p>\n\n\\n\n\n<p>Tem\u00e0ticament, funciona com un conjunt costumista que\u00a0retrata la ignor\u00e0ncia i la mis\u00e8ria, la corrupci\u00f3 del\u00a0poder, els\u00a0abusos de la instituci\u00f3 eclesi\u00e0stica, la incultura, la\u00a0desigualtat i les supersticions, i que acaba derivant en un imaginari fantasi\u00f3s, entre personatges grotescos i\u00a0monstruosos, bruixes i \u00e9ssers fantasmag\u00f2rics.<\/p>\n\n\\n\n\n<p>La publicaci\u00f3 de la s\u00e8rie produeix un gran esc\u00e0ndol entre la\u00a0societat madrilenya, fins al punt que l\u2019artista es veu obligat a retirar-la de la venda pocs dies despr\u00e9s d\u2019anunciar-la, tement repres\u00e0lies per part de la Inquisici\u00f3.<\/p>\n\n\\n\n\n<blockquote>\\n\n\n<p>\u00abQuan acaba de gravar la seva col\u00b7lecci\u00f3 d\u2019estampes capritxoses a les acaballes de segle, Goya est\u00e0 ja d\u2019esquena al\u00a0segle\u00a0<span>XVIII<\/span> i\u00a0de\u00a0cara al\u00a0<span>XIX<\/span>, de manera que els\u00a0<em>Caprichos<\/em> ofereixin una recapitulaci\u00f3 del mode de pensar i de sentir de tota una \u00e8poca determinada, \u00e9s a dir, ep\u00edleg de la Il\u00b7lustraci\u00f3, i alhora pr\u00f2leg o m\u00e9s aviat visi\u00f3 anticipada de la nova \u00e8poca que ha de venir\u00bb.<\/p>\n\n\\n\n\n<p>Edith Helman, <span>Los \u201cCaprichos\u201d de Goya<\/span>, 1971<\/p>\n\n\\n<\/blockquote>\n\n\",\"margin_bottom\":\"default\",\"margin_top\":\"default\",\"text_style\":\"large\"}}]}]},{\"type\":\"row\",\"props\":{\"margin_top\":\"medium\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"Coneix els altres gravats\",\"image_align\":\"left\",\"image_margin\":\"xsmall\",\"margin_bottom\":\"small\",\"title_element\":\"div\",\"title_style\":\"h5\"}},{\"type\":\"gallery\",\"props\":{\"filter_align\":\"left\",\"filter_all\":true,\"filter_grid_breakpoint\":\"m\",\"filter_grid_width\":\"auto\",\"filter_position\":\"top\",\"filter_style\":\"tab\",\"grid_default\":\"1\",\"grid_medium\":\"3\",\"image_expand\":false,\"image_height\":400,\"image_transition\":\"scale-up\",\"image_width\":800,\"item_animation\":true,\"lightbox_bg_close\":true,\"link_style\":\"default\",\"link_text\":\"\",\"margin_bottom\":\"small\",\"margin_top\":\"default\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"meta_style\":\"text-meta\",\"overlay_hover\":false,\"overlay_link\":true,\"overlay_mode\":\"caption\",\"overlay_position\":\"bottom\",\"overlay_style\":\"overlay-default\",\"overlay_transition\":\"fade\",\"show_content\":true,\"show_hover_image\":true,\"show_hover_video\":true,\"show_link\":true,\"show_meta\":true,\"show_title\":true,\"text_align\":\"left\",\"text_color\":\"light\",\"title_element\":\"h3\",\"title_hover_style\":\"reset\",\"title_style\":\"h4\"},\"children\":[{\"type\":\"gallery_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-caprichos-43-el-sueno-de-la-razon-produce-monstruos-portada-1.jpg\",\"link\":\"projectes\/gravats-de-goya\/gravats\/caprichos\/\",\"status\":\"disabled\",\"title\":\"Caprichos\"}},{\"type\":\"gallery_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-desastres-39-grande-hazana-con-muertos-portada-1.jpg\",\"link\":\"projectes\/gravats-de-goya\/gravats\/desastres-de-la-guerra\/\",\"title\":\"Desastres de la guerra\"}},{\"type\":\"gallery_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-proverbios-13-donde-hay-ganas-hay-mana-modo-de-volar-portada-1.jpg\",\"link\":\"projectes\/gravats-de-goya\/gravats\/proverbios\/\",\"title\":\"Proverbios\"}},{\"type\":\"gallery_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-tauromaquia-22-valor-varonil-de-la-celebre-pajuelera-en-la-de-zaragoza-portada-1.jpg\",\"link\":\"projectes\/gravats-de-goya\/gravats\/tauromaquia\/\",\"title\":\"Tauromaquia\"}}],\"name\":\"grid gravats\"}]}]}]}],\"version\":\"5.0.53\"} --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introducci\u00f3 Gravats Intervencions art\u00edstiques Itiner\u00e0ncia Recursos i documentaci\u00f3 Cr\u00e8dits Gravats &gt; Caprichos (1797-1799) El si pronuncian y la mano alargan al primero que llega Ya tienen asiento Por que fue sensible El sue\u00f1o de la raz\u00f3n produce monstruos Lo que puede un sastre! El 1793, Goya pateix una greu malaltia que el deixa sord. Alguns [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":1593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1598","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Caprichos - Xarxa de Museus d&#039;Hist\u00f2ria i Monuments de Catalunya<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/xarxahistoria.cat\/es\/projectes\/gravats-de-goya\/gravats\/caprichos\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Caprichos - Xarxa de Museus d&#039;Hist\u00f2ria i Monuments de Catalunya\" \/>\n<meta property=\"og:description\" content=\"Introducci\u00f3 Gravats Intervencions art\u00edstiques Itiner\u00e0ncia Recursos i documentaci\u00f3 Cr\u00e8dits Gravats &gt; Caprichos (1797-1799) El si pronuncian y la mano alargan al primero que llega Ya tienen asiento Por que fue sensible El sue\u00f1o de la raz\u00f3n produce monstruos Lo que puede un sastre! 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