{"id":1604,"date":"2026-10-28T12:25:37","date_gmt":"2026-10-28T11:25:37","guid":{"rendered":"https:\/\/xarxahistoria.cat\/?page_id=1604"},"modified":"2026-10-28T16:12:01","modified_gmt":"2026-10-28T15:12:01","slug":"tauromaquia","status":"publish","type":"page","link":"https:\/\/xarxahistoria.cat\/es\/projectes\/gravats-de-goya\/gravats\/tauromaquia\/","title":{"rendered":"Tauromaquia"},"content":{"rendered":"<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/09\/20B2711_1_11zon.webp\" alt=\"\"><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/20250517_Volaverunt-Sant-Cugat.jpg\" alt=\"\"><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/volaverunt_goya_girona.jpg\" alt=\"\"><\/p>\n<\/li>\n<\/ul>\n<ul>\n<li>\n        <a href=\"\/projectes\/volaverunt-els-gravats-de-goya-des-de-la-contemporaneitat\/\">Introducci\u00f3<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/gravats\/\">Gravats<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/intervencions-artistiques\/\">Intervencions art\u00edstiques<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/itinerancia\/\">Itiner\u00e0ncia<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/recursos-i-documentacio\/\">Recursos i documentaci\u00f3<\/a>\n    <\/li>\n<li>\n        <a href=\"\/projectes\/gravats-de-goya\/credits\/\">Cr\u00e8dits<\/a>\n    <\/li>\n<\/ul>\n<h2>\n<p>Gravats<\/p>\n<p class=\"uk-padding uk-padding-remove-vertical\">&gt; Tauromaquia (1814-1816)<\/p>\n<\/h2>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-08-cogida-de-un-moro-estando-en-la-plaza.jpg\" alt=\"\"><\/p>\n<div>Cogida de un moro estando en la plaza<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-08-cogida-de-un-moro-estando-en-la-plaza.jpg\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-22-valor-varonil-de-la-celebre-pajuelera-en-la-de-zaragoza.jpg\" alt=\"\"><\/p>\n<div>Valor varonil de la c\u00e9lebre Pajuelera en la de Zaragoza<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-22-valor-varonil-de-la-celebre-pajuelera-en-la-de-zaragoza.jpg\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-38-espanto-y-confusion-en-la-defensa-de-un-chulo-cogido-o-muerte-de-pepe-illo-2a-composicion.jpg\" alt=\"\"><\/p>\n<div>Espanto y confusi\u00f3n en la defensa de un chulo cogido o Muerte de Pepe Illo (2a composici\u00f3n) En el dors de El Cid Campeador lanceando otro toro<\/div>\n<p><a href=\"\/wp-content\/uploads\/2026\/10\/goya-tauromaquia-38-espanto-y-confusion-en-la-defensa-de-un-chulo-cogido-o-muerte-de-pepe-illo-2a-composicion.jpg\"><\/a><\/p>\n<\/li>\n<\/ul>\n<div>\n<p>Despr\u00e9s de retirar de la venda els <em>Caprichos<\/em> i de mantenir in\u00e8dits els <em>Desastres de la guerra<\/em>, Goya treballa en la <em>Tauromaquia<\/em>, un tema for\u00e7a popular a\u00a0l\u2019Espanya del moment i, d\u2019entrada, pol\u00edticament anod\u00ed, cosa que tamb\u00e9 li estalvia problemes amb el poder i\u00a0l\u2019Esgl\u00e9sia.<\/p>\n<p>Lluny de les acolorides escenes de les taurom\u00e0quies que\u00a0triomfen a l\u2019\u00e8poca, l\u2019artista es detura en la hist\u00f2ria del\u00a0toreig i\u00a0posa l\u2019accent en el car\u00e0cter tr\u00e0gic de les <em>corridas<\/em>. La mort i la viol\u00e8ncia s\u00f3n presents en totes les estampes, i\u00a0els clarobscurs remarquen el drama i la tensi\u00f3. Les escenes se centren en la lluita entre els animals i els homes, eludint l\u2019ambient de la pla\u00e7a que poc o gens es pot entreveure en\u00a0algunes l\u00e0mines.<\/p>\n<p>La s\u00e8rie es posa a la venda el 1816 i resulta, per a sorpresa del\u00a0mateix autor, un frac\u00e0s comercial, a difer\u00e8ncia de l\u2019\u00e8xit que\u00a0acostumen a tenir les seves pintures.<\/p>\n<blockquote>\n<p>\u00abDe la taurom\u00e0quia de Goya brolla una festa dels\u00a0bous confusa, com inventada per l\u2019autor, amb trets capritxosos del creador dels <em>Caprichos<\/em>. El m\u00e9s bell que t\u00e9 precisament aquesta taurom\u00e0quia de Goya \u00e9s el sentit fantasmal, barrejat de formes truncades i fets ins\u00f2lits\u00bb.<\/p>\n<p>Ram\u00f3n G\u00f3mez de la Serna, <span>Goya<\/span>, 1958<\/p>\n<\/blockquote>\n<\/div>\n<div>Coneix els altres gravats<\/div>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-caprichos-43-el-sueno-de-la-razon-produce-monstruos-portada-1.jpg\" alt=\"\"><\/p>\n<h3>Caprichos<\/h3>\n<p><a href=\"\/projectes\/gravats-de-goya\/gravats\/caprichos\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-desastres-39-grande-hazana-con-muertos-portada-1.jpg\" alt=\"\"><\/p>\n<h3>Desastres de la guerra<\/h3>\n<p><a href=\"\/projectes\/gravats-de-goya\/gravats\/desastres-de-la-guerra\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/goya-proverbios-13-donde-hay-ganas-hay-mana-modo-de-volar-portada-1.jpg\" alt=\"\"><\/p>\n<h3>Proverbios<\/h3>\n<p><a href=\"\/projectes\/gravats-de-goya\/gravats\/proverbios\/\"><\/a><\/p>\n<\/li>\n<\/ul>\n<p><!--more--><br \/>\n<!-- {\"type\":\"layout\",\"children\":[{\"type\":\"section\",\"props\":{\"image_position\":\"center-center\",\"padding_bottom\":\"none\",\"padding_top\":\"none\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"default\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"breadcrumbs\",\"props\":{\"home_text\":\"Inici\",\"margin_bottom\":\"remove\",\"margin_top\":\"remove\",\"show_current\":true,\"show_home\":true}}]}]}],\"name\":\"Breadcrumbs 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(1814-1816)<\/p>\n\n\",\"image_align\":\"left\",\"image_margin\":\"xsmall\",\"title_element\":\"h2\",\"title_style\":\"h3\"}}]}]},{\"type\":\"row\",\"props\":{\"layout\":\"1-2,1-2\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"overlay-slider\",\"props\":{\"attributes\":\"uk-lightbox=toggle: 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de un moro estando en la plaza\"}},{\"type\":\"overlay-slider_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-tauromaquia-22-valor-varonil-de-la-celebre-pajuelera-en-la-de-zaragoza.jpg\",\"link\":\"wp-content\/uploads\/2026\/10\/goya-tauromaquia-22-valor-varonil-de-la-celebre-pajuelera-en-la-de-zaragoza.jpg\",\"title\":\"Valor varonil de la c\u00e9lebre Pajuelera en la de Zaragoza\"}},{\"type\":\"overlay-slider_item\",\"props\":{\"image\":\"wp-content\/uploads\/2026\/10\/goya-tauromaquia-38-espanto-y-confusion-en-la-defensa-de-un-chulo-cogido-o-muerte-de-pepe-illo-2a-composicion.jpg\",\"link\":\"wp-content\/uploads\/2026\/10\/goya-tauromaquia-38-espanto-y-confusion-en-la-defensa-de-un-chulo-cogido-o-muerte-de-pepe-illo-2a-composicion.jpg\",\"title\":\"Espanto y confusi\u00f3n en la defensa de un chulo cogido o Muerte de Pepe Illo (2a composici\u00f3n) En el dors de El Cid Campeador lanceando otro toro\"}}]}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"order_first\":\"m\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"text\",\"props\":{\"column_breakpoint\":\"m\",\"content\":\"\n\n<p>Despr\u00e9s de retirar de la venda els <em>Caprichos<\/em> i de mantenir in\u00e8dits els <em>Desastres de la guerra<\/em>, Goya treballa en la <em>Tauromaquia<\/em>, un tema for\u00e7a popular a\u00a0l\u2019Espanya del moment i, d\u2019entrada, pol\u00edticament anod\u00ed, cosa que tamb\u00e9 li estalvia problemes amb el poder i\u00a0l\u2019Esgl\u00e9sia.<\/p>\n\n\\n\n\n<p>Lluny de les acolorides escenes de les taurom\u00e0quies que\u00a0triomfen a l\u2019\u00e8poca, l\u2019artista es detura en la hist\u00f2ria del\u00a0toreig i\u00a0posa l\u2019accent en el car\u00e0cter tr\u00e0gic de les <em>corridas<\/em>. La mort i la viol\u00e8ncia s\u00f3n presents en totes les estampes, i\u00a0els clarobscurs remarquen el drama i la tensi\u00f3. Les escenes se centren en la lluita entre els animals i els homes, eludint l\u2019ambient de la pla\u00e7a que poc o gens es pot entreveure en\u00a0algunes l\u00e0mines.<\/p>\n\n\\n\n\n<p>La s\u00e8rie es posa a la venda el 1816 i resulta, per a sorpresa del\u00a0mateix autor, un frac\u00e0s comercial, a difer\u00e8ncia de l\u2019\u00e8xit que\u00a0acostumen a tenir les seves pintures.<\/p>\n\n\\n\n\n<blockquote>\\n\n\n<p>\u00abDe la taurom\u00e0quia de Goya brolla una festa dels\u00a0bous confusa, com inventada per l\u2019autor, amb trets capritxosos del creador dels <em>Caprichos<\/em>. 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